Thursday, August 15, 2019
n simple drawings, artist Brian Fies (brianfies.blogspot.com) tries to make sense of the "mind-numbing disaster" he and his wife faced not so long ago. "Karen and I evacuated our home north of Santa Rosa ... at around 1:30 a.m. on Monday, October 9, 2017. Based on when our neighbors began getting text messages from their home security systems, we think our neighborhood burned around 2:30 a.m."
The couple was taken in by their twin daughters, and the next day, using "a pad of low-quality pulp paper, one permanent marker, a fine-point felt-tip pen, and four colored highlighters," he began telling the tale in word and image. Soon KQED aired a short animated version of Fies' work, and recently the PBS News Hour reported on what has now been published as a full-length "graphic memoir."
"A Fire Story" ($24.99 in hardcover from Harry N. Abrams; also for Amazon Kindle) is not just about escaping the flames, but what happened afterward, from disorientation to the eventual decision to rebuild. Readers who survived the Camp Fire may find an uncanny emotional resonance with Fies' narrative (the scope is different, of course, but the similarities are stunning), so much so that they may be moved to tears. At least, a certain book columnist I know had that reaction.
Fies intersperses stories of his neighbors and friends. Neighbor Mari and her husband lost everything, including two cats. "I feel like someone forced me into the witness protection program," she tells Brian. "I have no history."
"Well-meaning people say 'It's just stuff,'" Brian writes. "But it was ourstuff. Stuff we created. Stuff we treasured. Stuff from our ancestors we wanted our descendants to have. Stuff is a marker of time and memory. It's roots. I am uprooted."
Then, "a day in the new life." Karen is reading the newspaper, and Brian says, "I think I'll make a pitcher of iced tea." "Sounds good," she says. Pause. Pause. "No pitcher," he says. "Put it on the list," she says.
Finally, "within a few weeks of the fire, green reappeared amid the black and gray. ... Flowers and trees can come back, changed and scarred but still beautiful. So can we."
Thursday, August 08, 2019
D.C.-based writer Anne Snyder (annesnyder.org), the new editor of Comment Magazine (dedicated to "public theology for the common good"), attended a meeting recently of the Chico Triad discussion group which focused on altruism. Her interest is in how strategic giving can foster community renewal through character formation; she spent a week in Butte County interviewing those who are leading the restoration projects in Paradise and surrounding areas.
Character, she writes, "is a set of dispositions to be and do good, engraved on a person in multiple ways," including by the cultivation of habits of self-control; "by religious instruction on honest, courageous, and compassionate living; through institutions that establish standards for good conduct," by mentors and "through experiences of struggle, positions of responsibility, and the blessings and demands of enduring commitments."
Such qualities strengthen a community over the long haul. Snyder wants to provide philanthropists not only encouragement to support "initiatives that attempt to form character and transform lives," but guidelines for evaluating them. "The Fabric Of Character: A Wise Giver's Guide To Supporting Social And Moral Renewal ($15 in paperback from The Philanthropy Roundtable) provides moving examples of how organizations across the country are building character.
That includes The Other Side Movers out of Salt Lake City, Utah, a number-one-rated moving company with members from The Other Side Academy, "a life-training school for people with long criminal or addiction histories." There's Wake Forest University in Winston-Salem, North Carolina (with an "emphasis on cultivating the whole person") and The Positivity Project, giving grade schoolers "new ways of understanding their emotions."
Snyder identifies 16 "interwoven" aspects of an organization that help it succeed in building character, in its own members and in those it serves. These include Telos (a sense of purpose); Liturgies and Rituals ("communal rhythms, routines"); Struggle and Growth (are struggles "given meaning and direction?"); Joy and Transformation (is the whole person changing?); and Generativity (do those who leave carry on the ideals?).
Snyder's clear and engaging writing shows the significance of character formation in community renewal, even as she now explores what it means for Paradise nine months after the horrendous fire.
Thursday, August 01, 2019
"January 1960 saw the beginning of a new adult night class in Butte County History, taught by Ruby Swartzlow." As Sherrie Gobin Rosen writes, "It did not take long before this large class decided there was a lot of history in and around Paradise, but not much of it was written down anywhere. The group decided they really needed to remedy that, thus the first issue of Tales of the Paradise Ridge was born in June 1960." Sherrie's dad, Ted Gobin, was deeply involved in exploring local history. He was also my bus driver during my grade school days in Paradise.
So it is with a sense of sheer delight that key articles from Tales, selected from its entire run through 2018, have been published by the Association for Northern California Historical Research (ANCHR) in cooperation with the Paradise Gold Nugget Museum (temporarily located at the Depot Museum, 5570 Black Olive Drive).
"Tales Of The Paradise Ridge" ($19.95 in paperback from ANCHR.org, available at ABC Books in Chico and a host of other locations listed on the ANCHR website) brings together three dozen articles, including images, exactly as they appeared in the original issues of Tales.
Though the Gold Nugget Museum burned in the Camp Fire, Don Criswell, Board President, writes that "the beauty of Paradise is in its people, people of good will who are connected with each other and with this place. We will rebuild Paradise and the Gold Nugget Museum."
To that end, ANCHR Publications Editor Josie Reifschneider-Smith has compiled this volume specifically focused on the Paradise area, and the place of the Museum in Ridge life, as a Museum fundraiser.
There are nuggets aplenty in the book. Swartzlow writes about the development of the Skyway (which opened July 1950); Lois McDonald on the Paradise census of 1880 (spoiler alert: 301 persons "on the Ridge"); Connie Rogers on the Depot Museum; Rosen on Paradise in the Thirties, Forties and Fifties; Criswell on Yellowstone Kelly (and the Heritage Trail); Tonya Dale on the Paradise sign.
There's also a picture of the front of Barnett's Market in the midst of the 1964 Gold Nugget Parade. My dad would have been proud.