Thursday, February 21, 2019

"All They Will Call You"



For writer and performer Tim Hernandez, Woody Guthrie's poem "Plane Wreck at Los Gatos (Deportee)," with music by Martin Hoffman, "was the beacon." Popularized in concerts by Pete Seeger, the song was a biting commentary on the crash of a Douglas DC-3 in Los Gatos Canyon on January 28, 1948. 

According to a news report back then, "broken and charred bodies and an indiscernible heap of debris were all that were left of a government chartered flight from Oakland, which would have taken 28 Mexican Nationals to their homeland...." 

The song puts it this way: "The crops are all in and the peaches are rotting/ The oranges are piled in their creosote dumps/ They're flying you back to the Mexico border/ To pay all your money to wade back again. ... You won't have a name when you ride the big airplane/ And all they will call you will be deportees."

Who died that day in Los Gatos Canyon? In a gripping retrieval of history, Hernandez has crafted a page-turning account of passengers and crew and their hopes for a better life. "All They Will Call You" ($16.95 in paperback from The University of Arizona Press; also for Amazon Kindle) by Tim Z. Hernandez (timzhernandez.com) is the 2018-2019 Book in Common for Chico State University, Butte College, and a host of area organizations.

Hernandez will speak at Chico State's Laxson Auditorium on Wednesday, March 13 at 7:30 p.m., part of the President's Distinguished Lecture Series. Tickets are $20 for adults, $18 for seniors, free for youth and Chico State students. Tickets for the performance are available at the University Box Office (csuchico.edu/boxoffice) or call (530) 898-6333. 

The book chronicles the grisly crash, the witnesses, and the lives of the crew and some of the passengers, including Luis Miranda Cuevas who heard, in 1946, "that even though the war was over, trains leaving Guadalajara for los Estados Unidos could still be found, and braceros were still needed." Once in the U.S., workers engaged in a strange dance with the needs of agriculture and the long reach of "la migra," the immigration authorities. 

It is a harrowing account, told with compassion, lyricism, and hope.


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