When
the late Jamison Howard built the strange stone mansion in a "small town
tucked away in the mountains of northern California," the locals wondered
why construction workers kept adding rooms. Word was that "the matriarch
Marguerite Howard was kept prisoner here by her three grown sons since her
husband's death years ago."
Readers
are ushered into this "Devil's Domain" when young divorcee Holland
Wallace, 28, in town to care for her aunt, visits the strange abode and is
mistaken for a newly-hired nanny by Jamison's stepson, Gage Langdon, 36.
So
begins a romantic suspense novel of intrigue and revenge. "New
Beginnings" ($16.00 in paperback from Fireside Publications,
firesidepubs.com; also for Amazon Kindle), by Olivia Claire High, unfolds the
story of a dysfunctional family and the power of love to set things right. The
author, an Oroville resident and prolific novelist, puts a baby at the center
of a mystery.
The
child is the son of Gage's younger brother, James Howard, and his wife Kim. Little
Jamie seems to be sickly. Holland's heart melts for him (and it doesn't hurt
that there is something about the strong-willed Gage that's mightily
attractive), and it's clear that the household needs a new caregiver.
Kim
lives in the house, but suffers from postpartum depression and cannot care for her
child. Marguerite is there, too, but though kindly she is agoraphobic and can't
bear to leave the residence (so her world gets bigger by adding more rooms).
James is flaky and his twin brother, Jonathan, is something of a mystery. Money
seems to be no object; Gage, James and Jonathan are the "propertied
brothers," and there's a connection south of the border that complicates
the family dynamic.
Holland
has a past of her own ("My dad's a geography buff," she tells Gage
early on; "My sister's name is France and my brother's is Scotland"),
but she is determined to protect Jamie when she discovers that the previous
nannies had been driven from the house by drugged nightmares, and that someone
is messing with the baby's food. But why?
The
novel probes the recesses of the human heart but always holds out hope that
there can indeed be "new beginnings."