“Tell The Chickens It’s Time For Bed”

“Grandma Nancy” (Nancy Pattison) has deep roots locally. She grew up in Chico and writes me that her father Bill worked with Sierra Gold Nurseries and her mother Maggie worked at Chico State Student Government. Nancy graduated Pleasant Valley High School in 1973. 

Now living in Talent, Oregon she has written “The Norse Prophecy Series” under the name Anna Pattison and, for kids, “Grandma Nancy’s Red Barn” coloring book and the picture book “Tell The Chickens It’s Time For Bed” ($13 in softcover from Berkano Books LLC), whimsically illustrated by Gwendolyn Janke, whose muted colors suggest the sun is going down.

The book uses the idea that all sorts of animals “who bring eggs into the world” need time to rest. In just a few bold words on each page, Pattison aims to snare young readers (or listeners) with the rhythm of the words, over and over, helping them see that night is approaching for them as well. They can act like all these other curious creatures and welcome sleep. 

“Tell the chickens it’s time for bed,” the book’s first page begins, with the second continuing: “they laid their eggs, now they can lay their heads” (flip to the next two pages) “Dow-Ow-Own Upon their feather beds.”

Sure enough, the full-page drawing shows a simple bed with a chicken roosting on top, obviously snoozing, with a few feathers (okay, a lot of feathers) wafting in the air. Colors are in the darker shades. You can see the moon and stars.

Next, the salmon, “having laid their roe” can now lay their heads “Dow-Ow-Own Upon their water beds.” The full page water bed never looked so inviting.

Then follow the bees, the seahorse, the cobras, the chameleon, the toucan” and—well, the kids: “Tell the children it’s time for bed. They’ve played today, now they can lay their heads “Dow-Ow-Own Upon their night-time beds.” (The little beds under the big tent seem quite cozy.)

There’s also a translation of the first four pages into musical notation, written by Nancy Chew, arranged by Chuan Choy, encouraging children to go “Dow-Ow-Own” into bed. All in all, an egg-celent idea, pairing giggles with bedtime. 

 

“Stumpy”

Every spring on the National Mall in Washington, DC, the cherry trees bloom to the delight of millions of visitors. Some of the trees, though, because of rising waters of the Tidal Basin, decayed and died. Yet one Japanese cherry tree, though hollowed out, continued to blossom. When the National Park Service had to remove the tree in 2024 to fix the seawall, which was failing, cuttings were taken to the U.S. National Arboretum for later replanting. The famous blossoming tree even had a name.

Longtime Chicoan Karen McHenry tells the story of “Stumpy” ($19 in hardcover from Kismet Publishing), a lyrical children’s book for ages 6-10, from the tree’s perspective. The colorful illustrations by Tommy Hardman, where pink blossoms predominate, bring Stumpy to life. 

A tourist sensation during the day, as night comes Stumpy is alone with his thoughts. “It is silent now, except for the lapping of the water at the sea wall and the rattling of leftover autumn leaves twirling past. Stumpy gazes out over the Tidal Basin that has been his lifelong home and wonders what becomes of cherry trees when they are cut down. He shudders, knowing that it isn’t the chill breeze blowing around him. He was once a robust, sturdy tree. Now, he is scrawny and crooked and hollow inside.”

Yet Stumpy continues to bloom and a visiting bird calls Stumpy “the Little Cherry Tree That Could.” What’s more, says the bird, “People see you as a symbol of perseverance—because you refuse to give up. That is why they come to take your picture, and put flowers at your roots, and play music for you.” Those words “warm Stumpy’s hollow core, down to his chilly roots.”

Later a mysterious voice tells Stumpy that it’s too late for him to be moved; he must be cut down. What will happen then? The voice responds that clippings from Stumpy will be replanted: “You will live on, not only in people’s hearts, but in new trees. … The Sakura Japanese cherry blossoms are a symbol of a life well lived. And you, Stumpy, are a symbol of that, too.”

May McHenry’s pitch-perfect story tug at your heart and blossom into resilience.

“Tuk With A Red Scarf”

Now living in Chico, Judy Blishen Soto, “a Native American of the Ohlone tribe” made Paradise her home. She writes that she was “an entertainer, singer, songwriter…. I had over two hundred creative works, poems, short stories that I had written and were getting ready to publish, plus songs I had composed.” Everything was destroyed in the Camp Fire.

She started again, this time with a family story about their beloved black Lab. It really happened, she writes in an author’s note, and “none of the names or events in this story are fictitious.”

Designed for kids six through eight, “Tuk With A Red Scarf” ($10.95 in paperback from Austin Macauley Publishers; also for Amazon Kindle) is a delightful tale (ahem) of a dog who brought a little miracle to pass.

“It all started out to be a normal day, giving my husband and three children breakfast and seeing them off to school and work.” The family had two pooches, Scottish terrier Scotty, and Tuk with a red scarf. Weirdly, this morning only Scotty came to eat; the gate was open and Tuk was gone.

Soto waited until the children got home from school but no Tuk. So they piled in the car to drive to the pound, a half hour away, before “my husband got home from work… We had two and a half hours to look for Tuk and get back home to make dinner and pretend all was well.” 

They didn’t find Tuk, but, strangely, there was another black Lab--wearing a red scarf--named Leonard, who (sadly) was going to be put down the next day since he had not been claimed in weeks. 

“We could save this dog’s life. Children let’s decide, should we take Leonard home and maybe your dad won’t notice it’s not our Tuk with a red scarf?” You know the answer, and off they went with Lenny. “We still need to pray for Tuk,” Soto told her children, “that nothing happens to him and that God will keep him safe and bring him home soon.”

What comes next is one of those unexpected twists that no one would believe unless it actually happened.

“Dream Sweet: A Lyrical Bedtime Story”

Natalie Borer grew up in Grass Valley, attended Chico State, then became a high school English teacher and a “Substacker, Swiftie, wife, and mother of three” and now an author of a lullaby book. 

She and her family live in Corning; she writes me she was inspired by “my love of storytelling ever since I was little. I have memories of elementary school projects where, as a class, we would write a book and each have a page to illustrate. I had always wanted to be a teacher when I grew up, and only one day did I waver from this when I said out loud, ‘Maybe I'll be an author instead of a teacher,’ and my teacher responded with, ‘Why not be both?’”

“Dream Sweet: A Lyrical Bedtime Story” ($11.99 in paperback, independently published; also for Amazon Kindle), for babies and young children, celebrates seasons and special occasions with charming full-page illustrations from QBN Studios. She “decided that for my debut I'd go with a bedtime lullaby poem that I wrote, which stems from my experiences in early parenthood that I've gotten to relive and reinvent from my childhood. This lullaby commemorates these early years from my childhood combined with my children's.”

The book of dreams is about to open: “It’s time for bed now, little one. Settle in close, cozy, and snug./ As the sky turns from day to night, let the moon shine and the stars burn bright./ Now rest your head and your tired, little feet, wishing your dreams are nothing but sweet.”

How sweet? For the three children in the book, “Sweet as hot cocoa and Christmas tree hunting, Santa Claus, cookies, and present wrapping./ Sweet as fireworks and ‘Happy New Year!’ Banging pots and pans, loudly we cheer./ … Sweet as the kiss of a cute butterfly, and the sight of the first star in the sky./ … Sweet like the glow of your golden night light, your feathery pillow feeling just right.”

“I am so fulfilled by this stage of early parenthood,” she notes in the book, “seeing their faces bewildered and their starry eyes full of wonder over the simplest of things.”

G’night!

“Pumpkin Patch Surprise!”

Longtime Chicoan Lori Chergosky taught for the Chico Unified School District for thirty-four years. She writes me that in years past her teaching schedule allowed her to spend Octobers as “a farm guide for school field trips” at the Book Family Farm (facebook.com/BookFamilyFarm) in Durham or to take her classes there. She’s continues the practice in retirement and, at the request of Keith and Joy Book, created a souvenir storybook.

“Pumpkin Patch Surprise!” (independently published, with full color illustrations by Cheyenne Warthen) is available through Amazon as well as at the farm. It’s an homage to pumpkin patches everywhere.

“‘Surprise!’ says Dad. ‘Brenden, we’re going to the pumpkin patch!’ ‘Do we have to go today?’ I ask. ‘It’s our new tradition!’ says Dad. ‘But I just met Trevor, the boy next door. He’s coming over today to kick the soccer ball around. Can’t we just buy a pumpkin at the grocery store like we did when we lived in the city?’ I ask.”

But Brenden’s parents don’t want their son to miss out on “good old-fashioned farm fun.” “I whisper back, ‘What’s so fun about a stinky old farm?’ Dad says, ‘I can’t explain it. You’ll have to experience it!.’”

They see an amazing maze when they arrive, and then it’s time to feed the animals. “It tickles when baby goats eat from my hand. Watching pigs eat their favorite treat makes me laugh! They squeal and slurp as they pig out!” Behind the barn is a playground, including a hay pyramid. Is that a smile on Brenden’s face?

But now a big moment. A farmer asks Brenden if he’d like to collect an egg. Just reach under the chicken--What? “She says, ‘You’ll be surprised, it’s an amazing experience!’ I hesitate…and tell myself, don’t be a chicken!” He tries. And then, there’s the egg. “Talk about a fantastic surprise! It’s the most UNFORGETTABLE feeling ever!”

There’s another surprise when a certain visitor shows up. In the end, guess what?—it’s Brenden who wants to make it a tradition.

Chergosky reads her story at the farm this week through Friday for field trips at 9:15, 10:00 and 10:45 am. Call (530) 342-4375 for details.

“Too BUSY For Bed!”

The author’s dedication is “To children everywhere: We say that when you are grown, you can be anything you want. / But with every song and rhyme and game to play, you already do it, every day!”

These days, author Lester Wong, a Chico pathologist and the father of three grown children, navigates the world of an empty nester alongside the children’s mom. But he remembers an earlier time when getting the little ones ready for bed filled the transition time with joyful songs and silly rhymes. That, he writes, “morphed into a bedtime book, and as every parent knows, a good bedtime book is worth its weight in gold.”

“Too BUSY For Bed!” (independently published, $27.99 in hardcover, $16.99 in softcover from Made in Chico or from store.bookbaby.com/book/too-busy-for-bed1), by L.K. Wong, features full-color, beautifully exuberant illustrations by Taiwanese-Australian artist (and medical doctor) Amy Lee (kookychooky.com).

“Did you say ‘Bed’?” the child says. “That clock is wrong! It should say, Time for FUN!” Why? “I’m not done; I need more time! Because Sometimes I am … Just … Too … Busy…. My evening’s just begun!”

Oh, the energy. “Sometimes, I am a Teapot, / I’m dancing all about, / This arm a waving handle, / That hand, a whistling spout!” Then it rains (or is the bath water running?). “Sometimes, I’m Itsy-Bitsy / and I’m climbing / up a spout, / It rains, it pours, / an old man snores, / I’m wet! / I whoosh right out!”

Jammies on, it’s time to jump on the bed and do a little exploring. “Away I run, you can’t catch me! / My little legs are quick! / But grown-up legs are faster still, / And long arms do the trick!”

Then, “my wiggle slows…. I’m safe and snug, / A Bug inside a rug.” And now a parent’s gentle rocking: “We’re all back home, down by the bay, / No jumping anymore, / While Mama keeps her quiet watch, / Some watermelons snore!” Of course they do. Dreams come, each “will be like new,” with a parental send off of “I Love You!”

A dreamily wonderful little book that will delight the little ones.

"Just Be"

Chicoans Josh Shelton, house builder by trade and children’s book author, and artist Sam Pullenza, continue their “I Am Adventure Books” series with “Just Be” ($19.99 in paperback from Conscious Dreams Publishing; also in e-book version).

The purpose of the whimsically illustrated series is to guide “children both big and small upon a journey through many of life's timeless questions. We intend for these books to send out ripples of joy, unity, and love, while providing subtle support to the ascension and enlightenment of our human family.”

“Just Be” features bulldogs, hamsters, and a young boy, who asks: “Have you ever seen a hamster run on its wheel? / Well, that’s how the thoughts in my mind often feel!” And more: “I’ve found myself wondering from time to time, / if my thoughts are like visitors, visiting my mind? // My thoughts create / whether or not they are said! // I must become mindful / of what hangs out in my head.”

The story is a journey toward that mindfulness, told in a way that children might understand. When the boy thinks about being “still and quiet” during restful sleep, he reasons that “perhaps in between all the learning and play, / I can ‘do’ like I sleep, / but in an awake sort of way.”

In fact, he says, “It’s totally obvious! / It’ll be easy, you’ll see. / I will take time in my day / to simply Just Be!”

In the midst of busyness one can breathe fresh air; when intruding thoughts come, “greet them / and thank them / then bid them good bye.” Be in nature, look at the clouds, sit by a tree, spend time with a friend. “I can sit by the fire / for an hour or five, / and ponder the miracle / of being alive.”

Mindfulness is a kind of “dance through my day” and though future dreams beckon and we “reflect on our past, / the moment of Now / is the moment to grasp.”

Chico’s Barnes & Noble bookstore will feature an author signing with Josh Shelton and illustrator Sam Pullenza on Saturday, August 30 at 11:00 a.m.; the public is invited.

"New Leaf"

Chicoan Nancy Anderson’s children’s book is a parable about brokenness leading to new life. Beautifully illustrated by Madeline Einfalt, with design layout by Nica Petrova, “New Leaf” ($25 in hardcover, independently published, available at Made in Chico or from the author at NewLeafTeamChico@gmail.com) is also a tribute to New Leaf Home in the lowland region of southern Nepal. (Proceeds from the book will be donated to the home.)

After the end of the story there are several pages devoted to New Leaf Home. “Since 2010,” Anderson writes, “thirty girls have experienced hope out of brokenness. A miracle has happened leading to a new leaf, new life. Blossoming young women are bearing fruit in their redeemed lives.” And the founding directors “thank God that He changes the lives of our New Leaf girls!”

A little girl tells the story: “In a small rural village in Southern Nepal stands my mango tree. … My mango tree stands firmly planted near the well. It gives us delicious green mangos in the summer. Leaves of every shade of green delight my eyes. Tall grasses bend gently in the breeze.”

But then, one night, “A frightful storm comes to my village. Thunder booms. My eyes are big. My heart is pounding. … Frequent lightning flashes across the blackened sky. Rain falls fast and hard. I am afraid.”

In the morning, “I run out to see my mango tree. It is broken. The branches are ripped off, and the remaining leaves are shredded.” Some in the village think the tree is dead and needs to be cut down. Others, though, even as the seasons progress and nothing seems to change, say “Let’s wait and see what happens.”

“The broken tree needs to be nurtured. A few people, whom I do not recognize, come forward to gently protect and lovingly care for my mango tree.” And then: “I see some new yellowish pink leaves coming from one of the torn branches. My mango tree is alive!”

That nurturing will, in the end, bear much fruit.

Nancy Anderson is Nancy Wiegman’s guest on Nancy’s Bookshelf on Northstate Public Radio, mynspr.org, Wednesday, July 16 at 10:00 a.m., repeated Sunday, July 20 at 8:00 p.m.

“The Goddess & The Pig”

Travel writer Karen Gilden, born in Chico, attending public school in Willows, lived for a time in southern France. During “a walk in the Val de Dagne, a magical place hidden in far southwest France,” just after her granddaughter was born, a curious little story suddenly made itself known. For a writer of non-fiction, that, she writes me, was a surprise.

“The Goddess & The Pig” (in Amazon Kindle format, independently published) is the story of Boris the Boar, “not a boring bore—not one who talks and talks without saying anything….” Boris “lived in a pen in back of monsieur and madame’s house, in a quiet little village beside a stream.”

That hadn’t always been his home. “He didn’t remember being found in the woods as a tiny piglet” and being “given to madame to raise and butcher (for monsieur thought boar meat tasted very, very good.)” But years pass, and madame becomes attached to Boris, pampering him until, one day, she leaves for a time to visit her sister. And monsieur can hardly wait to delight her with boar sausage when she returns.

Boris escapes and later meets up with a charming young girl who calls him “Pig.” “You are in my home,” she tells him. “I am Diana, goddess of the hunt and the hunted; so named by the Romans who long ago built a temple on this hill.” Her goddess-powers are much reduced, though, because few wild animals are left in the woods. Yet she promises to help Pig.

But, Boris asks, doesn’t she help people like monsieur? Yes, she says, “For hunters must eat. But the hunted must live as well. To keep everything in balance was my job. Now, there is only disarray.”

To restore order, Diana must help Boris find a proper family. With rabbits? Not a match. Badgers? No. Then monsieur appears in the woods, with a rifle, and Boris and Diana have, one might say, an arrow escape. Boris resolves to live by himself. “But everyone needs a family,” Diana tells him.

And it will be so in this charming tale of a wise goddess and a Pig who finds his true home.

“Why Do Bats Hang Upside Down?: Still More … Fantastical Questions”

Chicoan Jennifer Kuhns (facebook.com/jenniferkuhnsauthorspage) specializes in writing children’s books featuring disabled characters, helping kids “understand that being different isn’t a bad thing.” Though cerebral palsy is her physical disability, it doesn’t define her and she continues to explore the world from her wheelchair.

Taken with quirky science questions children (and adults) might ask, Kuhns wrote “Do Birds Sneeze?” which focuses on the natural world and encourages kids to ask their own investigative questions. Questions abound and that has led to a second science book, “Why Do Bats Hang Upside Down?: Still More … Fantastical Questions” ($13.95 in paperback, independently published).

Full color, full-page illustrations by Steven Kistler add whimsy to the questions, like “What makes your nose itch?”, “How high does a thermometer go?”, “Do chickens faint?”, and “What makes people stink?” (hint: bacteria mixing with sweat).

There are also more down-to-earth queries, like “Why do cats and dogs lose their hair?” “Shedding,” Kuhns writes, “is a normal part of life for animals. Shedding helps to remove dead hair and release natural oils in the skin to keep them healthy. If dead hair does not get removed, the skin can become irritated.”

“Do birds sleep?” “Yes. But have you ever heard of sleeping with one eye open? Usually that is how birds sleep, with one eye open and with half of their brain awake…. This adaptation or way of sleeping is called unihemispheric slow-wave sleep and keeps birds safe.” When it’s dark and quiet birds “can sleep deeper with both eyes closed and both halves of their brains resting.”

On to bats. “The problem with flying for bats is that they are too heavy to take off from a standing or motionless position. This is called ‘the ratio of weight to lift capacity of the wing.’ Phew … that’s a mouthful. To make up for the bat’s inability to jump up and fly like a bird, Mother Nature (evolution) decided to hang them upside-down so they could drop from a branch and just start flapping.”

A page at the end invites readers to write their own fantastical questions—and then to research and find the answers.

“Number Mania: A Visual Exploration Of 0 To 100”

Chico mathematician Scott Lape, aided by Madrid-based illustrator Víctor Medina, will make readers fall in love with digits. Even if you don’t like math, he has your number. Actually, 101 of them.

In “Number Mania: A Visual Exploration Of 0 To 100” ($19.99 in hardcover from Odd Dot/Macmillan Children’s Publishing Group) Lape and Medina provide a carnival of number lore on every page not just for kids ages 6 through 12 but for adults as well. 

We’re surrounded by numerals, in street signs and digital clocks, but things get really interesting when we start counting. “The number representing a group of objects only has meaning if there’s somebody looking at the objects, counting them, or wondering, ‘How many are there?’” 

Each number has its own mathematical personality and each colorful, whimsical page looks at how the number is expressed in other languages, its factors, a bit of numerical history, and a section that’s just wild about that number. There are 64 colors in many Crayon packages; Forty-Four is a small town in Arkansas; “The traditional gift for a 70th wedding anniversary is something made of platinum (element 78).” Bowling balls can’t weigh more than 16 pounds.

You’ll see 36 on a yardstick, of course, but also “there are 36 counties in Oregon. There are 36 black keys (and 52 white keys) on a piano.” In Judaism, “the commandment to be kind to strangers is found 36 times in the Torah.”

Zeroing in on nothing, Lape writes that “The idea of ‘none’ being a number took a long time to catch on…. The first known use of a small circle to represent zero was in 876 CE in India…. Now we have a bunch of words that mean 0: nada, zilch, zip, diddly, and diddly-squat! … There used to be a town called Zero in Iowa—but sadly, its population is now 0.”

You’ll have fun with this book. Count on it.

Scott Lape will have a book signing at the Chico Barnes & Noble on Saturday, November 23 at 1:00 p.m. And listen to a recent Nancy’s Bookshelf interview with the author by host Nancy Wiegman at www.mynspr.org/show/nancys-bookshelf.

“If I Have To Grow, It’s Good To Know—Because Every Story Matters”

Paradise resident and Camp Fire survivor Bobbie Merica is a preparedness trainer. In various natural and human-caused disasters, first responders will encounter those with traumatic injuries and local leaders will be tasked with helping a community respond both during and after a disaster.

To make training as realistic as possible, Merica’s company, MoulageConcepts.com, uses 3-D mock injuries (“moulage” is French for “casting a mold”) that can be applied, like makeup, to simulation participants. The gruesome results are made even more heart-wrenching when they are applied to children, but that’s often the reality in the field.

In a world of active shooters, devastating fires, frightening evacuations, abusive situations, traumatized children need a way to process what is happening to them. A community can help by training children in how to make creative and resilient responses. 

To that end, Merica has developed a coloring book with a cartoon character called “Aoifa” (pronounced EE-FA), “A distinctive warrior with holden hue, of Irish lore./ She’s strong and soft, thoughtful and brave,/ keeping watch with a courageous roar.” The book is “a safe place to discuss hard things.”

“If I Have To Grow, It’s Good To Know—Because Every Story Matters” ($16.95 in paperback, independently published, available through Aoifa.org) features illustrations by Daniel J. Seward. The first pages introduce the cast of characters, Ottava the octopus, Aria the fox, DaCoda the wolf puppy, and of course Aoifa, whose calming presence graces each page.

Aoifa leads children through difficult landscapes, but there’s always hope, as in this prompt for readers to consider: “When paths become rocky, fight we must,/ our way back through,/ the road may be rough, and alone we may feel,/ but rarely ever is this actually true.”

There are pages where children can fill in their responses to the prompts, such as this one: “Some pain for a future gain, is required growth, when we need it most…/ But some hurts, must be addressed, to ensure our health, and our long-term best.” Then there’s ROAR (“react accordingly; outreach—notify others!; activate emergency notification system; reevaluate and respond”). 

Sensitive, courageous and hopeful, Aoifa helps create that “safe place.”

“Gam Gam, Am I Mixed?”

For longtime Chicoan Mollie Openshaw, entrepreneur and Butte College vocational nursing instructor, her young granddaughter Bellahrainee sparked something deep within, an honoring of “the richness of cultural diversity.”

That led to a partnership with Chico artist Linda Phelps to publish a children’s book that “encourages children to celebrate the tapestry of their own identities and unique characteristics.” A grandmother’s love comes through mightily in “Gam Gam, Am I Mixed?: Promoting K.I.D; Kindness, Inclusion, and Diversity” ($29.99 in paperback from FMG Press in Chico, amimixed.com; also for Amazon Kindle).

That love is expressed in Phelps’ full-color artwork on each page, blending whimsical paintings of Chico places (like Caper Acres, Made In Chico, and Shubert’s) with photographs of Mollie, Bellahrainee, and many other children. Each page, in “find Waldo” fashion, contains Dot the ladybug (for Kindness), Buzzy bee (for Inclusion) and Flutter the butterfly (for Diversity).

When the book is opened, each left-hand page contains the question “Gam Gam, Am I Mixed?” with Gam Gam’s response on each right-hand page. Here are some of the answers:

“Yes you are my darling, you are mixed with anything you want to be and with lots of gumption”; “… you are mixed with imagination and wonder”; “… you are mixed with equality and acceptance.”

The foreword is by Alan Floyd, “the former head of global touring operations for Beyoncé” and “son of Eddie Floyd, one of the leading voices of the 60s and 70’s era of soul and of rhythm and blues….” “As we immerse ourselves in the pages of this book,” Floyd writes, “let us be reminded that our diversity is our collective strength. Each one of us is like a puzzle piece, and together, we create a more complete and harmonious picture of humanity.”

From the book’s webpage, ladybug Dot reminds readers to practice the Golden Rule, “being considerate and generous,” and that “Kindness makes our hearts shine!” Buzzy the bee says “no one is left out” and “everyone is included.” And Flutter the butterfly emphasizes “things that make us special and unique” and “Beautiful differences in language, abilities, skin color, religion and more!”

Though the book is for children, it's not just K.I.D. stuff.

"Daddy, I'm Scared"

Chico State Communication Design major Narcippa ("Sipp") Teague played two seasons of basketball at the university (after nine years in the Navy) and now, a couple decades later, finds himself the author of a children's book. The story recalls a time when daughters Lisa and Lizette were young and plagued by nightmares. Liz, the younger, has the nightmares but her screams keep waking her sister.

Night after night they rush into their parents' bedroom and Liz would cry out the refrain that gives the book its title: "Daddy, I'm Scared" ($27.95 in hardcover from Newman Springs Publishing, Inc.; also for Amazon Kindle).

With colorful illustrations throughout, the book brings a calming presence to the reader as Liz explains her fear of "the boogieman." "'The boogieman, I thought I defeated him years ago,' Dad said with a serious look upon his face. Mom grinned at the statement and held her laugh in; she didn't want to blow Dad's cover."

"'Describe your boogieman, and let's see if it's the same vermin that I defeated,' Dad said with confidence." Liz: "'He has red stringy hair with huge eyeballs on the top of his head, and it's just so scary!'" "'How'd you do it, Dad?' Lisa questioned. Dad explained, as he takes a deep breath and poses with his hands on his hips and sticks his chest out, 'Well, girls, to make a long story short, I became a superhero!'"

It's your dream, so why not dream you're a superhero? When the monster climbs into the boy's window, the boogieman is surprised when the superhero picks him up and tosses him again and again—until the boogieman promises not to scare little kids again.

"After that, many nights and dreams have passed, and every so often the boogieman would break his promise…, but these were no longer nightmares but adventures!" "'Next time, I'll be Hawk Girl,' Liz said heroically…." From then on, the girls sleep soundly, smiles on their faces.

Teague (@iamsipp45 on Instagram) includes key workbook questions at the end, asking kids to draw their own boogieman—and then to "draw a picture of yourself as a superhero." Adults might want to get out their own pencils.

"The Cat And The King"

Meghan Irene, co-host of the Writing On Air program on KZFR (kzfr.org) and a Camp Fire survivor living in Chico, posted on Facebook (poetmirene) about a story she wrote in 7th grade.

When the fire consumed it, she rewrote "The Cat And The King" ($22 in paperback, independently published) "with the intention of capturing the magic and meaning that I had when I was eleven years old." The story was "brought to life with original watercolor on tea-stained paper" by Steve Ferchaud, illustrator extraordinaire (who sneaked her beloved Mt. Shasta into the background).

"Long, long ago," we're told, "in the Kingdom of Starrybourne, lived a princess named Isabel Wilde. Isabel's father was the infamous King Henry Wilde III … a very greedy man. As a child, Henry longed for attention, friendship, and love. Yet, once Henry was given reign as King of Starrybourne, he cared not for empathy and goodwill."

Trees are chopped down to build castle walls, roads are cut through villages, and where "songbirds once chanted, now only the caw of a lonely raven could be heard."

Isabel, isolated in her castle, dreams of exploring "the emerald forests and cobblestone streets." Later, walking the hallways, she sees "a small cat with a tawny star on his forehead." She calls him Louie, because, why not? When Louie pounces on a strange, glowing emerald, something begins to change in her.

Louie gives her courage to venture outside the castle into the bleak countryside. "If only I could save this land," she tells Louie, "and give back to the people what my father has taken away." That's her desire, and suddenly Isabel remembers the story "about the magical wishstone of the Starrybourne forest … a mysterious gem that could make a single wish come true for whomever held the stone."

Her wish? "I wish you could be King, Louie. I know you would show me how to make this world a better place, and you would use your power to do something wonderful."

And just like that, Louie is King and the King is Louie. What happens next is the stuff of dreams, a valentine to the hope deep within each of us.

"Ellie And Her Elephant"

Wayne Edmiston, now living on the Central Coast, has deep Chico roots. He graduated from Chico State College in 1971. An endowment fund to support developing the Meriam Library Special Collections and University Archives was created in the 70s by his great-aunt Ellen Deering. Ellsworth Deering, his great-uncle, was inducted into Chico State's Sports Hall of Fame in the 80s.

An ordained New Thought minister with Centers for Spiritual Living, the long-time teacher has published a whimsical short story for children about the creation of music, the meaning of love, and the world's curious interconnections.

"Ellie And Her Elephant" ($7.99 in paperback from Wedmiston Publishing; also for Amazon Kindle) emphasizes interactivity, pausing frequently to ask readers a question.

The story begins with the Easley family in small-town Halcyon, California, as news comes that the small zoo's elephant is about to give birth. Nine-year-old Ellie Easley's submitted name is drawn in the subsequent name-the-baby contest. The name had to begin with "El," and wouldn't you know it—Ellie won for "Ellie."

Ellie's father wows local children with piano playing, telling them a tale of music's origin. Uncounted years ago, the animals in the African forest started making noises. That woke a big lion. 

"'I was purring and happy, now you've made me so angry I could cuss you out. I'd rather be purring than cussing because of the noise you're making!' This roaring became known throughout the jungle as a 're-purr-cussion' (repercussion)." 

An elephant named Ellie learns to trumpet. When Ellie dies, she becomes "part of the symphony of life in another time and place." Is her earthly music gone? No; the ivory humans find much later comes to reside in the very piano Ellie's father is playing. Ellie moves her wheelchair to the keyboard and it is "like an electric current—warm and comforting to the touch."

As the years pass, Ellie becomes a skilled musician and, with help from her physical therapist, prepares an extraordinary surprise for her father when she plays at the big concert. And Ellie the elephant becomes a mother.

"What did Ellie the elephant give to the world?" Edmiston asks; "what do we have that we can give?"

"Alvin Coffey: The True Story Of An African American Forty-Niner"

Retired librarian Nancy Leek of Chico has long been drawn to pioneer history. Her new book, illustrated by Steve Ferchaud, is about a man who "did not come to California of his own free will. That decision was made for him by the man who claimed to own him. But he came with hope. Hope for freedom. Hope for a better life for himself and his family."

"Alvin Coffey: The True Story Of An African American Forty-Niner" ($16.95 in paperback from Goldfields Books, goldfieldsbooks.com) is available locally at Made in Chico, ABC Books, Bidwell Supply Company, the Chico History Museum, and the Bidwell Mansion gift shop. 

Coffey was born into slavery in Kentucky 200 years ago. "In 1846, when he was 24 years old, Alvin was sold to Dr. William Bassett for $600." Married to Mahala, with a growing family, Alvin's life was not his own. "At that time," Leek writes, "the law said he did not even own himself."

With help from "Alvin and Mahala Coffey's great-great-granddaughter, Jeannette Molson," Leek sets out the story of an enslaved man who finds not riches but something far more precious.

"When Dr. Bassett heard about gold in California, he was eager to go. He took Alvin along to do the hard work for him." The wagon train arrived in California in October, 1849. "I worked the claims," Alvin said in interviews years later. "After dark and on Sunday I used to do odd jobs for other people and work at my shoemaker's trade."

That side money was enough to buy his freedom, but instead Bassett took it all. Back in Missouri, Bassett sold Alvin for $1000 "to Mary Tindall, the owner of Mahala." Alvin got permission to return to Shasta County and, as he said later, "toiled away for years" and succeeded in buying their freedom.

Returning to Missouri, he took his family to California. "We stood at last under God's clear sky," he said, "free at last, thank Him."

The story, Leek writes on her website, "needs to be better known." She is keeping alive the memory of slavery's terrible legacy--and the life of a courageous man.

"Inspired To Be..."

Sacramento-based Crystel Patterson (crystelpatterson.com), one of the featured authors at the recent Chocolate Festival in Paradise, was drawn by the story of rebuilding and resilience.

That same spirit is evident in her three self-published children's books, each beautifully illustrated by Briana Young and available in Amazon Kindle format, "inspired by the culture, experiences, and dreams of Black people with the goal of inspiring all children." 

The first in the "Inspired To Be..." series, "One Flip, Two Flip, Three Flip, Four" ($9.01 in paperback) tells the story of Ruby, inspired, Patterson writes, "by Gabby Douglas, a gymnast who became the first African American to win the individual all-around event at the 2012 Summer Olympics when she was 16 years old."

Ruby's energy leads to "flipping all around the house/ landing light as a mouse." Gymnastics lessons bring "cartwheels, handstands, tucks and pikes" and eventually a gold medal. "She knew it in her heart./ Her dreams would true true.../ Now, what about you?"

The second book, "I Am Different" ($13.58 paperback), is "dedicated to all the children who look and feel different. I hope you already love or will learn to love everything that makes you stand out ... despite the mixed reactions." The story is about Malachi, Nia, and Ekon, three children who endure stinging words about their skin color, name, or hair. 

"My hair is different, this I know. My hair is different, and it shows./ So mixed reactions I receive, I wonder who I should believe." The answer? "I believe those who matter to me/ My family and friends who uplift me./ They always see the best in me/ Which is what I see when I look at me!" (A glossary of the some of the key words used in the book are intended to spur family discussion about race.)

In "Superheroes Here And There" ($8.25 in paperback), inspired by the late actor Chadwick Boseman, young James asks his parents if superheroes are real. Well, "they can't walk through solid walls, that's for sure." But they "remove obstacles to help us soar.... Like your mom or dad, a teacher or friend.../ Whose powers aren't super, but human instead."

We could use more humanity.

"Cartwheels: Finding Your Special Kind Of Smart"

When Tracy Peterson (teachertracypeterson.com) graduated from Chico State, she went on to get her Master's in Special Education. After almost four decades of teaching in California, Kansas, Nebraska, and Arkansas, she's teamed with Little Rock third grader Sloane LaFrance to write a children's book for kids with dyslexia.

"Cartwheels: Finding Your Special Kind Of Smart" ($11.95 in paperback from Et Alia Press) is narrated by Sloane and features whimsical, colorful illustrations by fine-arts major Lindsey Witting. 

"I am six years old," Sloane says. "I love to make up dances and put on shows. I play soccer and take gymnastics. I especially like to do cartwheels. I do cartwheels EVERYWHERE." But something seemed amiss. A year earlier, in kindergarten, while "the other kids were putting sounds together to make words," Sloane was having difficulty. 

One of her teachers told her to "Pay attention. Focus. You know this!" "But," she says, "no matter how hard I looked at those letters ... I never could remember which sounds were supposed to go with which letters....."

In first grade, Sloane didn't want to read; she just wanted to do cartwheels. One day she met with "a really nice lady; Mom and Dad said she was going to ask me to do some things that showed my special kind of smart. We talked and did puzzles."

Then came the diagnosis of dyslexia. How to communicate it to Sloane? Your brain is smart, her parents told her, and "it could crack this reading code ... I just had to learn it in a different way." 

Gradually she is able to make sense of letters and their sounds; now reading is sometimes actually fun. (A word to parents at the end of the book says perhaps one in five people have difficulty "decoding" sounds, letters, and words. There are many strategies since each brain is different, but "early intervention is key" to enable kids to "find their own special kind of smart.")

It was sometimes hard as Sloane worked with a special ed teacher, "and sometimes when my brain was too full, I would even get up and do cartwheels." But not, Sloane cautions, "in the classroom!"

"Lily's Lament"

Chicoan Dick Cory, retired science and health teacher, continues his environmental activism in his thirteenth self-published book. This one is for kids, but also for adults, with a narrative by a long-tailed lemur.

"Lily's Lament" (approximately $20 at Made In Chico) features full-color illustrations by Steve Ferchaud which bring lemurs to life with a distinctive tail to tell. There's a bite to this tale as it's the story of what's happening to the lemurs' home in far-off Madagascar.

"What bothers me most," Lily notes, "is I'm getting old at 17, and as leader of my troop (alpha female), I may not be able to protect and care for my family much longer. Our living space has been squeezed down to the ... southwest corner of our country. Although we spend about one-third on the ground, we still need the forest for food."

Lily is eighteen inches tall; though she weighs but five pounds, "don't sell me short on brain power. I've been able to learn simple arithmetic, understand patterns, and pick the right tool to do a job (sequencing)." As Cory writes in the introduction, non-human animals have ways of communicating, even "the ability to select, create, and use tools."

For Cory, "watching long-tailed lemurs hop, skip, and jump across open ground in Madagascar is so much like children playing on a school playground during recess. There must be some common emotions, pleasures, and need of expression." Humans should not forget.

Lily's country is poor; the most important export is natural vanilla, but the consequences for Lily are stark: "I like awake at night in my cave bed wondering what value we have to our country. Is the wood and natural vanilla so valuable to drive us off the island? Our lives are at stake (endangered) not only by this lost ground ... but by hunters for food, and pet collectors. We live on the edge of 'no more' (extinction)."

Could tourism be an answer? Kids coming to Madagascar "could watch us jump from tree to tree, climb the rocky sides of steep mountains, and hop, skip, and jump" along the ground. It's an optimistic dream, and Cory leaves readers with much to think about.