“Extraordinary Women With Cameras: 35 Photographers Who Changed How We See The World”

Darcy Reed, Petaluma-based author and Chico State Theatre Arts grad, wants to introduce kids ages 8-12 to some of the most creative women photographers in world history. Pairing with illustrator Venessa Perez, Reed accomplishes her goal with a quirky and colorful book, “Extraordinary Women With Cameras: 35 Photographers Who Changed How We See The World” ($16.95 in hardcover from rockynook.com; also for Amazon Kindle).

Unexpectedly, there are no photographs in the book; instead, each photographer receives a short biography (one or two paragraphs) along with a whimsical, full-page illustration of the photographer herself, with a key quote if available. The idea is to invite readers to find out more; to that end there’s a QR code and link to a page listing each photographer and an associated website (a Wikipedia page or artist’s site).

The book is not just about exploring, it’s about doing. As Reed says in the introduction: “We’ve included some fun photo ideas for you to try and new photography terms for you to learn. We hope this book inspires you to pick up your own camera and start snapping interesting photos. Who knows? Maybe your work will be featured in a museum or book one day!”

Among the 35 are some familiar names, such as Dorothea Lange (1895-1965) whose “photos of the Dust Bowl during the Great Depression and prisoners in Japanese internment camps during World War II made sure Americans would never forget those tragedies.”  Vogue and Vanity Fair photographer Annie Leibovitz is here as is Margaret Bourke-White (1904-1971), LIFE magazine’s first woman photographer and the first “woman allowed in combat zones during World War II.”

But the book is also replete with perhaps lesser-known photographers from around the world, including Dulce Pinzón, a contemporary artist that Forbes dubbed “one of the 50 most creative Mexicans in the world”; “her iconic … series featured several immigrant workers in New York City dressed as superheroes. Her goal was to highlight the invisible ‘superheroes’ people encounter in everyday life.”

Reed adds: “Take a photo of someone you think is an everyday superhero and share it with them!” Now, where’s my phone?

"The California Camp Fire: Reflections And Remnants"

An extraordinary coffee-table book explores the emotional interior of those who survived the Camp Fire and then looks outward at the terrible beauty wrought by the flames and heat. "Monochromatic portraits" by Chico photographer Ron Schwager are paired with fourteen verbatim accounts of those who escaped. Chico screenwriter and novelist Phil Midling writes in the prologue that the images are "beautiful in their simplicity and starkness yet also convey a rich complexity. ..."

Midling, who also provides the epilogue, writes that the second half of the book features stunning full-color patterns, "many resembling paintings of abstract art. Among the piled rubble and cindered ash, Ron was able to extract the images of devastation; contorted remnants and skeletal configurations of heat-fused plastic, steel, and glass viewed through a kaleidoscope of tertiary-like colors--odd hues of oxidized orange-rust, and red-violet, and turquoise-blue embedded within the bleak and grayish landscape."

"The California Camp Fire: Reflections And Remnants" ($45 in hardcover, self-published, from thecampfirebook.com, with local pickup and mail orders available), designed by Connie Ballou, is a masterpiece that will cause readers to pause and reflect with every turn of the page. 

A few haunting words from the accounts: "And so we had no other choice but to drive directly through the flames. ..." (Paradise High School coach Seth Roberts, 60); "I texted a goodbye message to my boyfriend who had been calling me because I really didn't think we were going to make it out alive" (Feather River Hospital security employee Tameekah Abdullah, 28). "I remember receiving texts from certain retirement homes. ... We just couldn't get the engine to that location. I knew those residents were about to be burned to death at any moment and there was nothing we could do. And we knew a lot of those people personally" (Paradise fire captain Alejandro Saise, 45).

In the color photograph section, Schwager writes that as a photographer, though he is "drawn to the chaos, my presence seems to be unobjectionable. But amongst the hive of debris removal activity I feel I am treading on hallowed ground. I feel I need to record this in some meaningful way." 

He has done so.

The human side of the Sacramento River

Retired Butte College photography instructor Geoff Fricker has teamed with writer Rebecca Lawton for a mesmerizing exploration of the human side of the Sacramento River. Fricker’s work is housed in the San Francisco Museum of Modern Art, the Crocker Art Museum, and other repositories; Lawton, and essayist and novelist, was one of the first female river guides through the Grand Canyon.

The book is called “Sacrament: Homage To A River” ($45 in hardcover from Heyday), containing striking full-page black and white photographs and powerful text detailing the changes that have come to the “Sac” and its tributaries. It is, says Fricker in the Preface, “a contemplation of water and our often contradictory connection with it. … I am inspired by the slow but certain path of the river—which meanders in spite of all our attempts to control it.”

Though several images focus on the “natural” world—from water flowing over fossilized ammonite in Chico Creek, to Jed’s point, “where Jedediah Smith first sighted the Sacramento River”—most show the intertwining of that world with the human. There’s a 1997 image of collapsed Butte County Bridge #17 in Centerville; 132-year-old brackets “used to harness a wooden flume on the basaltic cliffs of Table Mountain”; and Labor Day tubing on the Sac in 1999.

For Lawton, this is a cautionary tale. “There is no going back to life on an untamed floodplain where conjoined freshwater marshes teemed with wildlife, human diversity, and aquatic life in unimaginable numbers.” But there may be a way forward in what she calls “cooperative restoration,” which includes “conserving and recycling water” and “reestablishing ecosystem health.”

The reader is confronted afresh with the often heavy human hand on the swirling waters of the Sacramento; the tone is something like hopeful sadness. “If there is a river whose potential for biological richness and natural wealth can lead us to wholeness, it is the Sac. El Rio del Sacramento. River of redemption. Miraculous river.”

Digital photography: Expert advice from a local high school grad

For Tom Dempsey, who graduated from Pleasant Valley High School in 1975, the lightweight digital camera, like the 19-ounce Canon PowerShot G5, his first, revolutionized the profession. "In the years that I used 35mm film (1978-2002)," he writes, "my passion for photography demanded bulky gear." The camera itself was big, and the delay between taking a shot and developing it was excruciating.

For digital camera buffs, there's no comparison. "After 2004," Dempsey says, "I never used film again." But getting "pixel perfect" results takes knowledge and skill, and Dempsey's new book aims to help novice and intermediate photographers make the most of their equipment. "Light Travel: Photography On the Go" ($40 in paperback from Photoseek Publishing, www.photoseek.com) is a coffee-table book full of sound guidance and jaw-droppingly gorgeous full-color photographs.

The Seattle-based Dempsey has traveled the world with his wife, Carol, and his work has appeared in travel publications from National Geographic, Moon Travel Guides, Rough Guides, and more. He loves panoramas, and the images of mountain landscapes included in the book are spectacular. Yet he will often focus on small things, like water droplets on a skunk cabbage leaf in Washington or a closeup of an iridescent hummingbird, the White-Necked Jacobin, photographed near Quito, Ecuador.

The first part of the book, "How to Enliven Images," presents chapters on composition, focus, and picking the best camera. (The best camera, he says, is the one you have with you.) There are practice exercises and a detailed, illustrated glossary that explains all the technical terms. (Under "megapixel" the author notes that "in compact cameras, increasing the number of megapixels beyond about 8 mp is a marketing device that consumes more memory card space but doesn't help image quality.")

For Dempsey, a successful photograph should evoke an emotion. "You don't need a big or expensive camera to capture a touching or striking picture. . . . When composing images, enter a state of emotional sensitivity, even vulnerability, while simultaneously applying technical and critical judgment. Trust your eyes, not the camera."

The second part, "Where To Seek the Light," offers a gallery of Dempsey's work, weaving technical details with short travelogs. He inspires the amateur photographer to see, not just look. And he takes your breath away.