Rob
Davidson teaches creative writing and American literature at Chico State
University. In 2012 he and photographer Tom Patton presented an
"image-and-text collaboration" at 1078 Gallery in Chico. Inspired as
well by artists Stephani Schaefer and Sara Umemoto, Davidson has constructed a
deconstruction of the "monuments" built by words, the stories we tell
ourselves and often settle into. "We love limits," he writes in his
new and strangely haunting book, "we feel safer behind an enforced
perspective."
"Spectators:
Flash Fictions" ($16 in paperback from Five Oaks Press) is a collection of
short meditations, some somber, some flirtatious. The book invites reading and
re-reading (the publisher has nominated it for a Pulitzer Prize in literature),
and each time the reader will see something new. In a way, that's the point.
Patton's
photograph of a man taking pictures of the Grand Canyon inspires a mordant
observation: "He will not remember the canyon. He will not remember the
smell of sage, or the breeze, just slightly cool, wafting up from the
riverbed…. He will remember taking multiple shots from different angles…. He
shoots again and again, and with each new image he builds another, different
canyon, thereby justifying the existence of the first. We are only the stories
we tell ourselves."
One ought
not put too much store in one's words and yet "the world without words is
the world unmade." "Author's Note" distinguishes Davidson the
writer from Rob the ordinary bloke, the married man with two kids and a day job
at the university. This Davidson guy "steals from me. From my memory."
Yet in the fictions Davidson creates "I see myself most clearly." A
fiction is a way of listening.
We can't
help being spectators but we can also be shaped by a Buddhist understanding of presence.
"The mistake most commonly made by those asked to wait is to focus on that
which has not yet happened…. There is only the waiting itself, for which there
is no wait."
"There
is inside us," Davidson writes earlier, "a child's wish that the
world would yield to our demands. Yet it's only when we stop to listen that
something unexpected opens, like the ear of a parenthesis."
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