Sunday, July 23, 2017

"Spectators: Flash Fictions"



Rob Davidson teaches creative writing and American literature at Chico State University. In 2012 he and photographer Tom Patton presented an "image-and-text collaboration" at 1078 Gallery in Chico. Inspired as well by artists Stephani Schaefer and Sara Umemoto, Davidson has constructed a deconstruction of the "monuments" built by words, the stories we tell ourselves and often settle into. "We love limits," he writes in his new and strangely haunting book, "we feel safer behind an enforced perspective."

"Spectators: Flash Fictions" ($16 in paperback from Five Oaks Press) is a collection of short meditations, some somber, some flirtatious. The book invites reading and re-reading (the publisher has nominated it for a Pulitzer Prize in literature), and each time the reader will see something new. In a way, that's the point.

Patton's photograph of a man taking pictures of the Grand Canyon inspires a mordant observation: "He will not remember the canyon. He will not remember the smell of sage, or the breeze, just slightly cool, wafting up from the riverbed…. He will remember taking multiple shots from different angles…. He shoots again and again, and with each new image he builds another, different canyon, thereby justifying the existence of the first. We are only the stories we tell ourselves."

One ought not put too much store in one's words and yet "the world without words is the world unmade." "Author's Note" distinguishes Davidson the writer from Rob the ordinary bloke, the married man with two kids and a day job at the university. This Davidson guy "steals from me. From my memory." Yet in the fictions Davidson creates "I see myself most clearly." A fiction is a way of listening.

We can't help being spectators but we can also be shaped by a Buddhist understanding of presence. "The mistake most commonly made by those asked to wait is to focus on that which has not yet happened…. There is only the waiting itself, for which there is no wait."

"There is inside us," Davidson writes earlier, "a child's wish that the world would yield to our demands. Yet it's only when we stop to listen that something unexpected opens, like the ear of a parenthesis."


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