James Ibedson is an aspiring New York City artist whose middling-quality work can't catch a break. The critics ruthlessly hammer his latest gallery showing. The adult son of a wealthy art collector, he's filthy rich and resentful that the Art Establishment can't see beyond his money to the talent he actually has.
He is convinced that if his paintings received the attention they deserved he could hold his own against his contemporaries, artists the critics seem to fawn over simply because they have some dramatic family history. But how to get the needed notoriety? All his efforts to make a splash seem fruitless until, waking up one morning, it hits him. "For the first time in days, in weeks, in years, James Ibedson has a vision. He knows what he's going to do."
What turns out to be a tangled tale is told with aplomb by Ridge-area novelist Brian T. Marshall. "Breaking In" (available in an Amazon Kindle edition from missppelled press in Magalia; missppelled.com) is subtitled "A Smart, Quirky Heist Novel Set In The New York City Art Scene." It makes James' audacious scheme almost seem plausible.
The novel at its heart is about character, what it means to run risks not in theory but in the thick of things, when one's wealth no longer substitutes for the abandonment one feels. James' "mother had died when he was nine. He had no sister, no aunts. Just a couple of older cousins living in Ohio, or Iowa, one of those states with the vowels, who were nothing but a once-a-year photo, names on a Christmas card." As for James' father, Simon, the relationship is decidedly chilly. Marshall masterfully probes the inner workings of James' psyche.
For James' plot to succeed, he needs the help of others. Like Harry Lange, whose work in the art world is not always on the books; a guy named Raymond, no stranger to prison; and Ray's ex-girlfriend Cheryl, or "Shard," whose own talent fundamentally changes James' life.
"Breaking In" is a funny, wise, and poignant portrait of an artist looking for acclaimwho "discovers his soul instead."
No comments:
Post a Comment