Thursday, January 10, 2019

"Sequoia Chronicles"



You're an investigative reporter for a small, northern California radio station, but now, toward the end of December, 1978, you are hiding out at the Little Grass Valley Campground, and it's freezing. You're twenty-seven and your life isn't making sense.

You write in your journal: "If this were one of my newscasts, here's how I would report the events of the past year: ... 'I've watched two people die violently. I worked with an undercover detective investigating a grisly murder. I've made enemies of a motorcycle gang and some local land developers. I have been threatened a lot. Even shot at once. ... I lost several of my best friends this past year. Ed, Grandpa. And now Emma. Oh, and this is my last newscast, because I was fired last week.'"

So begins "Sequoia Chronicles" ($15.95 in paperback, self-published; also for Amazon Kindle or visit sequoiachronicles.com) by Jim Moll. A former North State Voices columnist, Moll, nicknamed "The Voice of Oroville," draws on his own radio news experience to tell the story of Mark Keating, News Director at the fictional KBSC ("Broadcasting for Sequoia City") in a fictional Sequoia County, not all that far from Oroville.

Keating's mind has a soundtrack; his journal entries are replete with lyrics of the sixties and seventies, like "A Horse With No Name." "Sequoia Chronicles" consists of those entries along with the chapters of the suspense tale Keating is writing, about a (fictional) plot against President Carter fomented by a man in New Delhi named Zia, who wants to change history. Keating's working title is "Mark's Great American Novel."

Keating is at first a just-the-facts newsman, detailing in his journal the land fraud he discovers, the personal histories of his friends and those who may be after him (is he being paranoid?), as well as the details of President Carter's goodwill tour to India early in 1978. But when Emma comes into his life, emotions begin to surface that he has long suppressed. 

Local references abound and add to the verisimilitude of this tale of human extremes, a fascinating yarn about what it means to make a difference in the world--and whether the cost is just too high.

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