Tuesday, August 16, 2022

"The Best We Could Do: An Illustrated Memoir"

"We had arrived in summer," writes Thi Bui, "so there was time to prepare for school in the fall." But as immigrants from Vietnam, her family needed time to adjust. You mean you choose classes? They don't just hand you your schedule?

Bui, a graphic artist now based in the Bay Area, as a youngster escaped with her family after the fall of South Vietnam, landing on American soil on June 28, 1978.

Later, as a graduate student, she wanted to capture her family's history. "My parents have been separated since I was nineteen," she writes, though they "remain friends." But what happened? Words were not enough, so in 2005 she learned "how to do comics." Pages of drawings accumulated.

Later, she and her husband and son moved from New York to California, where she taught at "an alternative public high school for immigrants in Oakland." Her book took shape as a graphic memoir, and in 2017 it was published as "The Best We Could Do: An Illustrated Memoir" ($19.99 in paperback from Abrams ComicArts; also for Amazon Kindle, with a helpful pronunciation guide at thebestwecoulddo.abrams.link).

It is fitting, at the start of a new school year, that Bui's own explorations of her past become part of the reader's experience as well. "The Best We Could Do" is the "Book In Common" for 2022-2023 for Butte College (butte.edu/bic) and Chico State (www.csuc.edu/bic) and other community groups.

Bui's parents and their growing family knew the ravages of war. In 1975 South Vietnam's president Duong Van Minh surrendered to the north. Bui's father, in talks with his daughter years later, wants to correct "the American version of this story … about a country not worth saving…. Communist forces entered Saigon without a fight, and no blood was shed. Perhaps Duong Van Minh's surrender saved my life."

But the Communist regime ushered in a propaganda campaign and confession sessions with neighbor spying on neighbor. "My parents," Bui writes, "began to talk of escape."

Filled with emotion, the book's images and dialog convey the complexity of the past--and the realization that one's very-flawed parents were trying to do the best they could.