The day after Christmas

For those who embrace what the Christmas carols herald--the coming of God to earth in the form of a small child--the "good tidings of great joy" speak of a new kind of life here and now. Yet for Christians around the world how this life works itself out on the "day after Christmas," and all the days yet to come, is not easily answered. It is an "in-between" time when believers are not yet fully formed but are wooed by God's grace to conform more and more to the image of the God-Man.

This is the starting point of a provocative new book by N.T. (Tom) Wright, formerly Anglican Bishop of Durham (in the U.K.), now Research Professor of New Testament and Early Christianity at St. Andrews University in Scotland. "After You Believe" ($24.99 in hardcover from HarperOne; $11.99 in Amazon Kindle and Barnes & Noble Nook e-book formats) is subtitled "Why Christian Character Matters." It matters, Wright maintains, because it's true to the kind of life transformation set out by the New Testament.

"Character," he writes, "--the transforming, shaping, and marking of a life and its habits--will generate the sort of behavior that rules might have pointed toward but which a 'rule-keeping' mentality can never achieve. And it will produce the sort of life which will in fact be true to itself--though the 'self' to which it will at least be true is the redeemed self, the transformed self, not the merely 'discovered' self of popular thought."

Wright draws upon the ancient tradition of virtue to illuminate what he means by character. Virtue--excellence--comes through practice and enables the person to respond appropriately in a wide variety of situations.

But the Biblical idea of virtue, Wright says, is not about celebrating the individual. "Christian virtue isn't about you--your happiness, your fulfillment, your self-realization. It's about God and God's kingdom, and your discovery of a genuine human existence by the paradoxical route--the route God himself took in Jesus Christ!--of giving yourself away, of generous love which constantly refuses to take center stage."

Christians are to be a royal priesthood, clothed in "humility, charity, patience, and chastity." It is nothing less than the practice, through God's power, of becoming fully human.

Lynn Elliott remembers Welsh Christmases. . . .

Born and raised in Cardiff, Wales, Lynn Elliott, a professor of English and creative writing at Chico State University, shares family memories with groups around the country. He's now reworked his autobiographical tales into "The Story of Another Child's Christmas in Wales" ($10.95 in paperback from Memoir Books). Elliott is scheduled to be interviewed by Nancy Wiegman on Nancy's Bookshelf, Friday, Dec. 24, at 10:00 a.m. on KCHO (Northstate Public Radio, 91.7 FM).

Decorations have "all mystically appeared, overnight, in James Howells' department store, Queen Street, heralding the beginning of Christmas season in the sea-faring capital city of Wales, Cardiff. I am four, five, six, seven, eight, nine, ten and eleven years old, chocked full with accumulated memories of food, joy, song, and jolly, wind-swept shoppers."

Mostly Lynn is eleven, a celebratory mixture of naivete and sarcasm. Reading the book, listening to the tone, I thought of Jean Shepherd's voice-overs in the classic film A Christmas Story. Young Lynn is lurching toward adulthood.

"Last year," he says, "before the prospect of Lynn attaining manhood entered my parents' minds, I got a cowboy suit for Christmas. Dressed in my boots, spurs, leggings, chaps, shirt, gun belt, guns, waistcoat and one-gallon hat, I sidled out of the front door into Forrest Road, seeking a show-down with Billy-O the Kid, the bully who lived ten houses down from ours. Did Wyatt Earp ever fight in snow? No time to ponder the question, as an iceball--not even a snowball, but an iceball!--hammered into my ear and slid slowly, like a polar iceberg, down my once-warm neck. I reentered the sheriff's office, crying for my mother and vowing that next year I'd get a snow-scooping machine gun. . . . "

There are drunken carollers, oddball neighbors, Tiddles the cat exacting revenge on a certain boy's Meccano set tower, but everything moves toward Christmas Day night and the Elliott family gathering, the flowing elderberry wine and singing relatives, and Auntie Bess ("a diminutive woman with a voice like an air raid siren"), all tinged by quiet news that Grandma Elliott may be celebrating her last Christmas. And for grandma: Lynn's boisterous, be-wigged performance as Ethel Merman.

How can one be sad this night when "everything's coming up roses"?

Chico writer remembers her Latvian childhood and the pain of exile

Zigrid (Zig) Vidners writes for the "younger generations of exiled Latvians," recalling her childhood in the city (Riga, the capital) and on the family farm in the years between world wars. The story quietly unfolds in "I Grew Up In Latvia" (paperback, self-published; for purchase information contact the author at vidners@sbcglobal.net).

The first half of the book takes the author to her thirteenth year and recounts mostly happy memories. Life is much more unsettled in the second half. Zigrid encounters the first feelings of love and faces the implications of war. The story is really a love affair with Latvia and invites slow reading on a rainy day to take in the sights and sounds of a time long past.

Lyon Books is hosting a signing in the new year on Thursday, February 17 at 7:00 p.m.

The author remembers some of "the most joyous celebrations in Latvia, the Midsummer Fest" called "Ligo," "to sway." People begin to sway, "reaching out toward each other and toward the higher powers who bring them blessings." She is close to her father, a military man, but has an uneasy relationship with her mother. Zigrid learns to herd cows and loves to spend time in the nearby forest.

But history intrudes. Latvian freedom "was interrupted by the forceful invasion by the Soviet Union in 1940, which brought a pattern of terror that many Latvians would never forget. The outbreak of World War II brought German occupation in 1941, then a Soviet onslaught again in 1944. Knowing what this would bring, many made the hard decision to leave their beloved country to save their lives."

At fifteen, "a strange thing happened to me. . . . As I looked at the pale evening sky against the dark treetops of the forest, I thought how another day was gone and the night was coming. But then these ordinary thoughts took on a deeper meaning. It was as if somebody had said these words to me, making me realize that 'my night' too would come one day. . . Was it God who talked to me for the first time?"

In the end, Zigrid and her family must flee Latvia for Germany. That is another tale, for another book.

Paradise poet sees the folly of history, finds tenderness that touches the dead

Sally Allen McNall's new book of poetry travels the world, encountering violence but also a measure of love. "Where Once" ($14 in paperback from Main Street Rag) is part of the publisher's "Editor's Select Poetry Series." Lyon Books in Chico is hosting a reading by the author on Tuesday, December 14 at 7:00 p.m.

In "Goodbye to Byzantium" the poet laments: "It is tender where I cannot go. / Baghdad, where once gardens. / A shore where once wild strawberries this small." There are "Concrete Particulars" to attend to: "Yes, but in this book of horrors you refuse, / this documentation of systematic, categorical death, / writer and reader must step back, if only a step, / or tenderness could not touch the dead, as it must." That word again: tenderness.

If tenderness cannot stop the "lively venom, vaccine / against hope," perhaps it can work its way into the "Hard Places": "I say on the phone I have given alms to Muslims and my friend says shut up shut up hangs up // e-mails me you could be accused of giving money to terrorists // You can't live the Berber's life, / he said, without some hard places forming in you."

The book's cover shows a detail of "Six Wooden Blocks" by G. Daniel Massad; "Six Wooden Blocks," the poet writes, "--named revenge, remorse / repentance, regret / remembrance, release // You might spend / a whole morning / stacking them / in one order / then another // . . . They are fashioned / of heartwood, / oiled, heavy, / never softening / to the touch."

But poets live, like Keats, Whitman. And Wordsworth. "You say goodbye to your unhappy childhood," the author writes to Wordsworth in "'Fallings From Us, Vanishings.'" "You learned how to love. And I say, forget / that it turned to fear and finally indifference, forget / that hope had to be relearned later and elsewhere, forget / your thousand poems to the members of other species. // There is anger everywhere in the world and sorrow / following. Even the Buddha would not tell you to forget / this, while you are busy remembering the bobolink, snow-cricket, brown bat, peony, honeysuckle."

"Book in Common" author: Harnessing the wind, and thankful for libraries

In December 2000 the floods came to Malawi. But that was not the worst of it. The water disappeared and drought set in. The maize crop was stunted. In late January 2002 “the hunger” came to Malawi and starvation with it. William Kamkwamba's parents and sisters (now half a dozen) barely made it through. There was no money to send the teenage William to school; he seemed destined to be a poor farmer for the rest of his life.

That is, except for an insatiable curiosity about mechanical things, and for a nearby library--really just a few shelves. The books about windmills planted an idea. Just a few years later William (williamkamkwamba.typepad.com) found himself on the international stage, with a Twitter account.

He and co-author Bryan Mealer (a former AP reporter) tell William's extraordinary and heartening story in "The Boy Who Harnessed The Wind: Creating Currents of Electricity and Hope" ($14.99 in paperback from Harper Perennial; $9.99 in Amazon Kindle and Barnes and Noble Nook e-book formats; $27.99 unabridged from Harper Audio).

The audio version, ably voiced by actor Chike Johnson, makes William's excitement palpable in discovering how a bicycle "dynamo" works and how "electric wind" might power a house. William is an optimist, even in the midst of famine. Science captures him; traditional magic knows nothing of circuit breakers.

"My parents had raised us to be churchgoing Presbyterians who believed God was the best protection. Once you opened your heart to magic, we were taught, you never knew what else you might let inside. We respected the power of juju, even feared it, but my family always trusted our faith would prevail."

In 2006 some Malawi officials were “inspecting the library at Wimbe Primary when they noticed my windmill.” The story spread, and it eventually came to the attention of the program director of TEDGlobal 2007. TED stands for “Technology, Entertainment and Design,” and its conferences feature “scientists, inventors, and innovators with big ideas.”

William's windmill, cobbled together from scrap pile parts, is one such "big idea." One day, he hopes, it will change the face of Africa.

Kamkwamba is scheduled to speak in Chico this coming April as part of the 2010-2011 "Book in Common" program (www.butte.edu/bic or www.csuchico.edu/bic).

A toast to Sierra Nevada Brewing Company

Monday marked the thirtieth anniversary of the company Michael J. Lewis--professor emeritus of brewing science at UC Davis--describes as "the most perfect brewery on the planet." Lewis was interviewed by Chico State University English professor Rob Burton as part of Burton's three-year research project that has borne fruit as "Hops and Dreams: The Story of Sierra Nevada Brewing Co." ($19.95 in paperback from Chico's Stansbury Publishing). It's a layman's romp through the brewing process and, more importantly, through what was brewing in Ken Grossman's mind when he arrived in Chico in 1972 in a blue Volkswagan bus.

Divided into five chapters, the book surveys beer history, the history of Sierra Nevada (including the never-ending pursuit of "hop harmony") and the guiding lights of "People, Planet, Profit" that make the company's principles applicable in wider contexts. Along the way Burton addresses some of the challenging times, from weathering the craft brew "bubble" of the late nineties, to Ken Grossman's buyout of business partner Paul Camusi; from the tragic death in 2007 of Steve Harrison, "the first employee to be hired by Grossman and Camusi in 1981," to fending off outside interests.

Yet it's also an optimistic story of a microbrewery that "turned its flagship brew, Pale Ale, into the number one craft beer in the country, changing the tastes of a generation of beer drinkers who had grown up with sugary, carbonated, bland lagers. . . . The company soon acquired a national reputation for its cutting-edge conservation policies: recycling more than 99 percent of its production waste and byproducts and reusing spent yeast, hops, grain, carbon dioxide, wastewater, and heat."

The results are astounding; the brewery "has an average annual payroll of around $10 million which mostly stays in the local economy and it enjoys average annual sales of around $150 million."

Burton adds a series of "taproom conversations" in which he learns a life lesson about "flocculation" (you've got to get the yeast just right). He celebrates beer as "liquid bread" (it's "highly nutritious, high in fiber, low in fat and cholesterol") that, as one brewer puts it, "subtly reminds me, with every sip, how lucky I am to be alive, surrounded by beauty and good people, and living right here, right now."

Author of gender-bending gold rush era novel to visit Chico

Bay Area-based Mary Volmer was born in Grass Valley, and in her first novel she draws on the gold rush heritage of the area to tell the story of a little outpost called Motherlode, just this side of Rough and Ready and not that far from Nevada City. Millard Fillmore may be running for President, but the Queen of Motherlode is a woman named Emaline, plump proprietress of the Victoria Inn who prostitutes herself during the week and insists everyone show up to the chapel Sunday mornings to hear Preacher John, who is usually sober, at least then.

Then young Alex rides into town. Alex--Alexandra--is dressed as a young man; her parents dead, she is fleeing from her Gran, a woman with precious little tolerance for youthful desires and no compassion when those desires result in tragedy. So Alex is running away; she fools the gaggle of characters who frequent the tavern until one day, exploring an abandoned mining claim, she finds a gold nugget.

Lyon Books in Chico will host a free literary event with the author on Tuesday, November 16 at 7:00 p.m.

Volmer probes deeply. "Crown of Dust" ($24 in hardcover from Soho Press; $9.99 in Amazon Kindle e-book) is a brooding, compulsively readable tale of identity lost and won.

Alex grows restless maintaining her ruse. A man named David Trellona has entered the picture, "fresh out of Cornwall and thinkin' he knows more about mining than those Empire folks over in Grass Valley." If Alex has complicated feelings for David, David's feelings for Alex are even more complicated.

Yet, as Alex thinks about nature, "the camouflage, the deception, it was ubiquitous. A praying mantis posing as a branch, a moth holding motionless and leaf-like, a red water snake basking in the sun, impersonating river mud. She marvelled at the relief she felt at this revelation, as though nature had somehow exonerated her for posing as someone, something she was not." But relief does not last. A reporter comes to town, suspicious that Alex might be the Boy Bandit. And is Emaline protecting Jed, a runaway slave? Bullets will fly, and death will come to Motherlode. But through that death, Alex will find some small measure of redemption.

Chico becomes a coastal town in new eco-novel

Dale Pendell is not only a contributor to the Huffington Post; he also achieved cult popularity with the Pharmako trilogy ("an encyclopedic study of the history and uses of psychoactive plants and related synthetics"). A proponent of what his website (dalependell.com) calls "wild mind," he has been deeply influenced by "poet Gary Snyder, Zen teacher Robert Aitken, and philosopher Norman O. Brown."

Now the Sierra foothills resident traces the ecological history of California for the next ten thousand years in a new science-fiction novel, "The Great Bay: Chronicles of the Collapse" ($21.95 in hardcover from North Atlantic Books; $9.99 in Amazon Kindle and Barnes & Noble NOOK e-books). In 2021 a pandemic destroys most of the world's population, brought on, it's said, by weaponized bugs from the Americans and the Chinese.

"By 2031, ten years after the Collapse, the population of the United States had stabilized at four million." Carbon dioxide emissions from now-defunct factories had triggered a vast chain reaction. Global warming, and the rising oceans, would change the face of the world.

Pendell is scheduled to be in Chico tonight at 7:00 p.m. for a book signing and discussion at the 1078 Gallery, 820 Broadway. The free event is sponsored by Chico's Lyon Books.

The novel uses maps, travel journals, poetry, interviews, and news accounts to flesh out the human response over the course of millennia. Each chapter begins with a "panoptic," an overview focusing on the social and climate changes reshaping California.

As declarative sentences multiply, it's evident that the remaining humans are somehow surviving in small, do-it-yourself communities. In an address in 2171 to the Berkeley Scholar's Guild on "Pre-Col Society" one historian notes: "It was called democracy but it wasn't at all what we mean by that; it was really an oligarchy. Representatives weren't even required to do what the people wanted them to do."

In the years 2121-2220, "twenty feet of water lay over Sacramento. . . . The Sacramento Valley had become a great bay, already stretching 125 miles from the Sutter Buttes to Modesto. . . . A tallow industry developed at Chico, producing candles. Tanbark and hides were floated to Santa Cruz, where locals operated a tannery."

People followed Earth's rhythms, not the other way around.

A tale from Chico Country Day School has plenty of bounce

Phil Coppock teaches writing courses in the School of Social Work at Chico State University. In an email he writes that in May of 2009 he worked with students in a fourth grade class at Chico Country Day School to help them "learn to recognize and use figurative language."

The class developed a story idea "about a little boy who wakes up one morning to find that everything that can move in his world bounces when it moves. The teacher and I asked the children to imagine, talk about, then write about what that would be like if it happened in different areas of the school (classroom, library, cafeteria, etc). The project lasted several months, and the story grew into a book, with the students listed as co-authors. This spring I had a local artist do some drawings and a cover painting for it."

The book is "Rubber Tuesday" ($12.95 in paperback from Outskirts Press) by Phil Coppock and Mrs. Bower's 2008-2009 4th Grade Class. Illustrated by Peter W. Harris, "Rubber Tuesday" is available at local bookstores as well as online. He is scheduled to appear on Nancy's Bookshelf on Friday, November 19 at 10:00 a.m. on KCHO (Northstate Public Radio), 91.7 FM.

The twenty-six student contributors have let their imaginations soar and the resulting story of Jasper and his best friend Seth is just plain funny. "It all started on a Tuesday" when Jasper awakens to the sound of garbage trucks going "CRASHBOOM!!! CRASHBOOM!!! CRASHBOOM!!!" Jasper looked out the window; "what he saw was the garbage truck alright, slowly but surely bouncing its way down the street. Each hop was maybe ten to fifteen feet high, and each landing sounded like a five car collision."

It wasn't just garbage trucks bouncing around. Everything else was, too, including his dog Juno, zinging around the room then "toppling to the floor, a tangled mix of arms, legs, hands, paws, fur, and drooling, slobbery jowls." What had happened? "It was almost like somebody had reached inside the earth and turned gravity way, way down, or maybe gravity got bored."

When Jasper gets to school--well, this tumultuously hilarious book is great exercise for the trampoline of the mind.

Chico poet pushes the boundaries of language and meaning

Sarkis Shmavonian, publicity materials tell us, "grew up on a small alfalfa and cotton farm outside Madera in a multilingual setting: Armenian at home, English in town, French, Latin, and German classes at school, a bit of kitchen Tuscan with friends. In college, during the tenure of a Fulbright Fellowship to the USSR, he came to appreciate the power of poetry to sway minds."

His first book of verse is "Vortumna" ($30 in hardcover from Erkir Press, Chico). Wikipedia says that "Vortumna" refers to the goddess Fortuna, "she who revolves the year," who reveals the fickle nature of reality. The poems reveal the fickle nature of meaning, especially in their mixtures of languages (anthropologists call it "intrasentential code switching"). In one of the notes at the end of the book, Shmavonian writes that "The subject of the words is their own inwardness: they eschew direct statement through syntax for a tremulous connotedness through grammar." If meaning here seems just beyond reach, perhaps that's part of the meaning.

The author will be talking about his work at Lyon Books in Chico on Tuesday, October 26 at 7:00 p.m.

Shmavonian's poems are set off in blocks of left- and right-justified text, and at first the reader has the impression of adherence to an overiding formalism. But the words themselves are unexpected, as if they aim to derail any attempt at gleaning some ordinary meaning. The poet writes in "Ex Sybillae" that "The task of syntax is / to foreclose thought." The difficult meanings, the use of a few vulgar terms, and the playful swirl of languages, form a strange mirror in which "the logic of the mirror is to hide its own forms."

In "Gateway Sculpture, CSU-Chico," the poet writes: "To you this is a bronze torch with its flame. / To me this clearly shows a sounding whale, / a die balanced en pointe between its flukes. / Bad of me: once beheld, who can unsee that?"
His verses, Shmavonian writes, "halt, or rustle awhile, or gesture fitfully from a still-blank space which cannot of itself sound its own depth. The words in their stir are already being rent into texts before the scope of the poem has brought them to full reckoning."

Women writers reclaiming their histories

"The Call: An Anthology of Women's Writing" ($15 in paperback from Dragonfly Press), edited by Calder Lowe, presents the work of almost twenty contributors including Lowe, Kathie Isaac-Luke, and local author Lara Gularte. In poetry and short story the book explores how one's history informs the present, and how sometimes that history must be brought kicking and screaming into the present.

In the poem that gives the book its title, Lowe hears a train whistle, a moment when "Time is restructured . . . . Count back / one, two, three centuries. / Train whistles, bugles, church bells // thread through clouds." The poet's "ancestors blow glass / in the Black Forest of Germany. . . .  Glass glows in the Von Eberhardt furnaces. / Some of the goblets flower, some crack."

Gularte writes, in "Saving Myself," that "My ancestors are stones of the river. / They sparkle, / their quartz veins / glisten in granite. // . . . Braced against current / and slippery bank / I lose my step, / fall into the cold stream. . . . I rise from the current, / find shallow water, / and sit among the stones. / In a mountain pool / where a trout darts, / I bless my reflection."

A reception is set for Lyon Books in Chico this Saturday at 7:00 p.m.; scheduled presenters include Lowe, Gularte (who will also be reading her short story, "Snowball"), and Isaac-Luke.

Lowe is a writer, editor and director of a university Writing Lab; Gularte has been nominated by Bitter Oleander Press to "Best New Poets 2010"; and Isaac-Luke edits a San Jose-based literary journal. Her short story, "The Collection" (included in "The Call") was nominated for a 2010 Pushcart Prize.

According to a news release the book "is dedicated to Maria Isabel Vasquez Jimenez, a pregnant 17-year-old who died while laboring in the fields, and who represents the countless marginalized women in society today. The writers bear witness to lives of all women: daughters, granddaughters, mothers, lovers, sisters who celebrate life."

There is life in the strangest places. In "Death Valley," Isaac-Luke writes: "It is misnamed, this desert shelter / to cactus and coyote the color of sand. // . . . On the Western side of the Sierras / are wild springs and complacent / meadows. The desert waits-- / it knows its time will come again. // It is here I want my ashes scattered. . . ."

An allegorical journey through cancer

In the fairytale, Hansel and Gretel managed to find their way back from the unfamiliar woods after resourceful Hansel secretly dropped little stones along the path. Paradise writer Jan Hasak uses a fairytale motif to tell the story of her own journey though breast cancer and lymphedema. Pointing out ten stones as she finds her way back, she finds each stone opening the door to poetic reflection, sometimes humorous, sometimes deeply moving.

"The Pebble Path: Returning Home From a Forest of Shadows" ($11.95 in paperback from OutskirtsPress.com) is the heartening story of how cancer can turn life upside-down but then transform life, enrich it. Through the author's Christian faith and her spouse's unfailing good humor. the story unfolds of "a lass named Fanciful" and her Prince Charming, Farcical ("zany and hip"), and their children, Fine, Dandy, and Ending.

"Buzzing about her hive making money, Fanciful busied herself with work, jogging, church, and parenthood. In the midst of this hubbub, when Ending was almost four, Fanciful found a lump in her breast. A mysterious pebble-sized mass. Her whole world crashed. Can there be life happily ever after at the end of such a story?"

Hasak will be signing her book this Saturday from 11:00 a.m. - 1:00 p.m. at Lighthouse on the Ridge bookstore, 5913 F Clark Road in Paradise (inside the James Square Shopping Center).

She is also scheduled to be interviewed on Nancy's Bookshelf with Nancy Wiegman on Friday, October 29 at 10:00 a.m. on KCHO (Northstate Public Radio, 91.7 FM).

Hasak's Fanciful journeys from the first pebble, "the Gnome of Diagnosis," through "Goldilocks and the Three Chemo Bears," "Facing the Radiation Hag," on into "Fairying Beyond Remission."

From "Lone Rangers": "When in heaven I behold / Those who gave me chemo / Tributes many shall unfold / Nurses reign supremo." And from "Chemo Makeover": "Beauty is but fleeting short / Though we laser mole and wart / Witty comebacks healing bring / Humor melting frost to spring."

In "Double Gourd Lamp" the poem reflects Hasak's new body shape: "A most surprising gift / to me? Double gourd lamps back in / vogue, basic dispellers of / shadows, spelling / hope for my own restoration, a lovely / lamp reflecting wonders of what my Lord has done."

Lin Jensen: Deep ecology through Buddhist eyes

Author Lin Jensen, the founding teacher of the Chico Zen Sangha, and now teacher emeritus there, writes that "as both a Buddhist and a student of deep ecology, I'm struck by how much the two have in common, each exacting of the follower a genuine paradigm shift in perception. For the Buddhist the shift is an awakening to earth as an extension of one's own body wherein the dichotomy of self and other dissolves. For the deep ecologist the shift is a similar awakening wherein earth is realized as one indivisible body comprised of all beings of any sort."

Deep ecology is more than the study of ecosystems. "It's a perception that recognizes the right of all beings to exist simply because they do. Nothing is left out, nothing excluded." Jensen draws on the work of Arne Naess, the founder of deep ecology, and others, in showing the deep ecological concerns of Buddhism, even from ancient days. "Deep Down Things: The Earth In Celebration and Dismay" ($15.95 in paperback from Wisdom Publications) takes its title from words of the Jesuit poet, Gerard Manley Hopkins, who observed that, in the midst of industrialized blight, "nature is never spent; / There lives the dearest freshness deep down things. . . ."

Jensen is scheduled to be interviewed on Nancy's Bookshelf tomorrow morning at 10:00 a.m. on KCHO (Northstate Public Radio, 91.7 FM). He will be speaking on Tuesday, October 5 at 7:30 p.m. at the 1078 Gallery, 820 Broadway in Chico. Hosted by Lyon Books of Chico, where "Deep Down Things" is available locally, the event is free and open to the public.

Jensen writes of places where the earth lives, and places where it can hardly breathe. "On the east side of town prime orchard land lies buried under Chico's South Mall, but on the west side of town the fields of a young and thriving organic cooperative are green with new life." Jensen's Buddhism is local and practical; "the proper scale for human endeavor," he writes, "is that of the household." Finally, "my prayer is that to the very last of this planet's brief tenure in the vast cycle of the universe someone will remain to say 'earth' and to say it from the heart's core."

Book event for kids Saturday at the Chico Library

"Nini was a plain white tom cat," writes Mary Nethery in an author's note, "who lived in a caffè, or coffee shop, in Venice in the 1890s and became a national celebrity. Calling upon Nini and signing his guest book was the thing to do. When Nini died, many important people paid tribute to him."

That set the Eureka picture-book author to thinking. "No one knows why Nini became such a star. So I asked myself the question 'What does a cat have to offer that no other creature possesses?' The answer? A purr, one of the most primal and soothing sounds in the universe, a gift that only a cat can give. That's what led to this story. All of the notable visitors were real people who came to see Nini, but the events in the story didn't unfold in the same way that I have presented them."

The tale is told in "The Famous Nini: A Mostly True Story of How a Plain White Cat Became a Star" ($17 in hardcover from Clarion Books).

A book event featuring Mary Nethery (www.marynethery.com) will be held this Saturday at 1:30 p.m. at the Chico branch of the Butte County Library, 1108 Sherman Avenue. Especially suited for children aged 4-8, the reading is presented through the courtesy of Lyon Books of Chico, where copies of "The Famous Nini" are available.

Beautifully and whimsically illustrated by John Manders (www.johnmanders.com), the book tells the story of Nonna Framboni and her little nineteenth-century coffee shop. It's so small everyone seems to pass it by, until one day "Nini the Stray" shows up at her door and follows an obviously agitated man into the caffè. The man was Giuseppe Verdi, in search of just the right note. "Nini meowed. 'Ah, puss!' Verdi cried. 'You have given me the exact note I need!' He danced around the caffè with Nini in his arms."

More visitors followed after Nonna put up a sign in the window, including the King and Queen of Italy and Pope Leo XIII. The Emperor of Ethiopia visits, and Nethery imagines how Nini's soft purr changes the heart of the the Emperor's daughter.

Nethery takes delight in her story, and readers will find it the purr-fect tale.

An encyclopedia of Durham

Adriana (Rian) Farley, the untiring chronicler of Durham, has compiled what might be called a Durham encyclopedia: "Durham Locations, Landmarks, Lads & Ladies" ($30, spiral bound, available from the author at 1384 Durham Dayton Hwy, Durham, CA 95938; please include $3.50 for postage and handling). Though Farley first thought to put together just a listing of Durham street names, the book now includes groups and organizations and festivals and even "Prof England's Desk."

Farley is scheduled to be interviewed this Friday at 10:00 a.m. on Nancy's Bookshelf on KCHO (Northstate Public Radio, 91.7 FM); an archive including this and previous interviews is available at KCHO.org. And the book will be available at this Sunday's Durham Harvest Festival at Durham Community Park.

There are over 200 maps, diagrams, illustrations and black-and-white photographs complementing the entries which range from Ackerman Avenue ("west off Lott Road," name origin unknown) to Zorka McDonald Tree (a memorial planted by the Durham Women's Club). Farley's sources include historical records, books and periodicals as well as personal correspondence, and each source is documented.

Farley's book also resolves several mysteries. "Why is there a cleaver and steel embedded in the sidewalk just north of the Empire Club along the Midway? Just a few steps further along the sidewalk are a cleaver and knife. The location marks the spot where in 1917 the Johnson and Openshaw Meat Market was opened for business." Durham was also home to "Death Curve" when in 1920 Highway 99E forced an almost 90-degree turn "over an elevated rail line."

There's an entry for the Durham fire station and the grange hall but also one for the group of quilters known as the Awesome Blossoms (who have made "patriotic wall hangings that we've presented to local military families").

Now to Ewin G. "Prof" England's desk. England was teaching principal at Durham Grammar school from 1929 until he retired in 1963. The desk then was used by second and third grade teacher Nancy Druley "who loved its nooks and crannies." Later it found a home in the elementary school library and now resides in the Drylie Reading Room (named for James Nesbit Drylie) of the Durham branch of the Butte County Library.

Farley's book is essential reading for residents and a delightful guide for visitors.

Moving to Igo - an affair of the heart, with plenty of laughs

London-born Peter Edridge got a poor start when he landed in San Francisco in 1971 looking for "sex, drugs and rock-n-roll"; "by my mid-thirties I had reached the end. I was broke and broken." But "sometimes God smiles on the truly stupid" and he became a computer programmer. The small company he worked for provided an "idyllic" life. Yet after a decade and a corporate takeover, he was out. It was 2002 "and the dot-com bomb had just wiped out the entire tech industry." What to do?

Well, you buy 30 acres of land near Igo in Shasta County, and you move. With encouragement from his wife Sheila, you start over. "Sheila's not my first wife," Edridge writes, "(the exact count is unimportant and it's not excessive for California), but, as she likes to remind me, she is my final wife. . . . She also likes to remind me that she's married to a very lucky man."

The story is told in "Burning Bears Fall From the Sky: My Amusing Story About Relocating From a Desk in San Francisco To a Remote Mountain In Northern California" ($15.95 in paperback, self-published; available at Lyon Books in Chico or write burningbears@gmail.com). Edridge's self-deprecating humor at his attempts to fix the dilapidated A-frame on the property (dubbed "the mouse-house") and his acceptance into the community (involving lots of Sierra Nevada Pale Ale) are often laugh-out-loud funny.

Edridge will be signing copies of his memoir on Wednesday, September 15 at 7:00 p.m. at Lyon Books.

The title comes from the story of a frightened bear cub that climbed a power pole, was electrocuted and caught on fire, and in turn set a field on fire. "It seems in part to be a metaphor for the unpredictable world found outside the well-planned Zone of Civilization." But life also thrives on the unpredictable. Though he and Sheila have learned plenty in their years in Igo, it boils down to character. "The little community of Igo brought me face to face with a different world; one that is unimpressed with importance, or years spent in school, or diplomas or credentials, or careers, or salaries."

"We've changed," he writes. Call it the journey from ego to Igo.

Chico area writer continues his history of Navy minesweepers

"Wooden Ships and Iron Men" is a multi-volume history of minesweepers, meticulously researched by Cdr. David D. Bruhn, USN (Retired). The first volume told the larger story: "The U.S. Navy's Ocean Minesweepers, 1953-1994"; the recently-published second volume focuses on "The U.S. Navy's Coastal and Motor Minesweepers, 1941-1953" ($32 in paperback from Heritage Books; see www.davidbruhn.com for details). The book is available online and at the Chico State University bookstore.

Bruhn writes me that the book is intended primarily for veterans of World War II and the Korean War, but anyone who appreciates military history can profit from the author's work. There are more than 15 appendices, including a list of "unit awards for the assault and occupation of Okinawa" and "mine force personnel casualties." Also included are maps and historical photographs.

"When magnetic mines were encountered at the onset of World War II," he writes, "the U.S. Navy, having no wooden ships on hand to perform minesweeping, scoured waterfronts and procured fishing vessels that it fitted with sweep gear, manned with reservists, and assigned to Naval Districts to keep ports and harbors clear of mines."

But they weren't enough, so "the Navy designed and built seventy wooden-hulled 97-foot Accentor-class ships based on the proven fishing vessel model" which were then used "very far from home waters in every theater of war." All told, they earned "nearly 700 battle stars." (The Accentor, the first in its class, had a "221-ton maximum displacement" and "could make a speed of ten knots.")

Bruhn notes that "the cover art depicts the sinking of the steel-hulled minesweepers USS Pirate and USS Pledge at Wonsan, which served as the impetus for construction of the post-Korean War wooden-hulled ocean, coastal, and inshore minesweepers."

Encyclopedic in scope, the book places the story of the minesweepers in historical context, noting that the crews have not received due recognition, probably because the many reservists among them returned to civilian life and lost track of the "splinter fleet." After World War II the media concentrated on the fighter pilots, the "glory boys." Bruhn writes that "whatever type sweep they rode, these men deserve the tribute this study intends them. When asked about their naval service, they can say with pride, 'I served aboard a minesweeper!'"

SHORT NOTICES

A tabby cat turns up in a Paradise neighbor's yard, and such is the stuff of a sweet little story by Kaye D. Owens. "Turn-Up . . . . Turns Up" ($5 in paperback, including postage, self-published) "is mostly factual, with a few lines of 'author's prerogative' to fill in the unknown events." Folks in the neighborhood keep leaving, and Turn-up has to find new lodgings again and again. "She survived the horrendous Northern California fires of the summer of 2008" spending most of her evacuation "under a bed." Today, she "has her family pretty much wrapped around her paws."

Watsonville writer Al Cunha was a recent visitor to Chico's Barnes & Noble. His novel, "Dancing With Daffodil" ($10.95 in paperback from Infinity Publishing), tells the story of a homeless woman living in a cardboard box in a San Francisco alley. Befriended by a young female reporter and a French baker, Maggie May Salokavich keeps singing about "the sweetest little girl in the world--Daffodil." Daffodil "is the song that I hear . . . the dance that I dance." But Officer McGuinness is determined to get her off the street. Brutality ensues, but a surprise birthday guest changes everything.

Chico therapist George McClendon, in "Heaven's Call To Earthy Spirituality" ($14 in paper from Dog Ear Publishing), writes in intensely personal terms about leaving the Benedictine Abbey in Shawnee, Oklahoma, in the 1970s. Seeking to reconcile spiritual discipline required of a monk with the "earthy" experience of sexuality and an inclusive spirituality (his heroes include Thomas Merton and the Dalai Lama), the author finds joy in marriage and his practice of psychotherapy and spiritual guidance. It's the story of a "St. George" who meets the "Dragon Lady," an integration of opposites, of past with present. Now: "Time to move on."

Editors of Sierra Nevada anthology to make Chico appearance

In 1912 John Muir wrote that "the Sierra should be called, not the Nevada or Snowy Range, but the Range of Light. And after ten years of wandering and wondering in the heart of it, rejoicing in its glorious floods of light . . . it still seems above all others the Range of Light."

Now, the light shed on Muir's beloved mountains by the work of some 75 writers has been collected in "The Illuminated Landscape: A Sierra Nevada Anthology" ($19.95 in paperback from Heyday Books, www.heydaybooks.com), edited by Gary Noy and Rick Heide. Co-published by Sierra College Press and Santa Clara University, the book features voices as different as Mark Twain and Gary Snyder. It is essential reading.

The two editors will talk about and read from their anthology at Lyon Books in Chico on Tuesday, August 31 at 7:00 p.m.

Noy is the director of the Center for Sierra Nevada Studies at Sierra College in Rocklin and is in the midst of team-teaching "The Sierra Nevada," an interdisciplinary course. Heide has a journalism background and won a 2003 American Book Award for an anthology of Latino literature.

The editors structure their book historically, from "the golden misty dawn" (1840 and before) to the "quiet-colored end of evening" (1991 to the present). Genres range from the "Old Gambler's Song" of the Maidu to an excerpt from Tom Knudson's "The Sierra in Peril" series for the Sacramento Bee, which won a Pulitzer Prize.

Jack London is here, carefully introduced, as is Henry David Thoreau (who, though never visiting the Sierra Nevada, was a critic of the California Gold Rush: "a touchstone which has betrayed the rottenness, the baseness, of mankind").

Several pieces were specially commissioned. Nevada City author Jordan Fisher Smith tells what happened when he arrested a woman high on drugs in the American River Canyon. Poet Maria Melendez recounts her first camping trip in the Sierra Nevada. Biologist Joe Medeiros writes of "The Power of Trees," and asks a series of haunting questions that end the book: "Will our grandchildren be able to hike along a high ridge in the Sierra and lean against an old juniper? Feel its energy?"

Readers will appreciate the many perspectives--and the illumination they bring.

Chico counselor on promoting emotional health and good vibrations

The cover of "The Couples Thrival Guide" ($16.99 in paperback, self-published, available from shannon@thrivaliving.com) by Shannon Sheridan features a striking image from Chico ceramics instructor Janice Hofmann. Depicting an erotic embrace, the illustration is intended to suggest one of many enjoyable relationships. The book offers what Sheridan calls a "non-pathological" approach to couple's therapy based on self-appreciation and the "Law of Attraction."

The author is scheduled to be interviewed tomorrow morning at 10:00 a.m. on Nancy's Bookshelf (KCHO, Northstate Public Radio, 91.7 FM). A book release party, featuring music from "Spark-n-Cinder," is set for Saturday, from 7:00 - 10:00 p.m. at All Fired Up, 830 Broadway in Chico. Tickets are $20 and include desserts, dancing, and a copy of the book. For reservations, go to www.thrivaliving.com/events.htm.

Sheridan writes that "the most important thing is that I feel good" (the title of one of her chapters). "When we feel good and are really plugged in," she says, "we are connected with ourselves and with others around us. It does not feel good to hurt, demean, or disempower others when we come from a place of connection."

This "connection" has to do with the "Law of Attraction": "We are all atoms moving around at different frequencies. As we experience emotions, vibrations change frequencies. Meanwhile, vibrations are attracted to other vibrations of the same frequency." She tells of falling down a flight of stairs. "I had attracted this incident as a result of my vibration, by allowing what my friend was thinking about me to be more important than what I thought about myself." Here Sheridan draws on the work of Abraham Hicks (www.abraham-hicks.com).

She is also counts Virginia Satir (www.avanta.net) as a teacher, modifying Satir's "ingredients of an interaction" for the book. The ingredients are "vibration, sensory information, perceptual filter, meanings, feelings, and response/outcome." Faulty meanings--that the person is worthless or unlovable--can undermine relationships. The reality is "we are pure positive love energy connected to source."

In working with the depressed, Sheridan would "invite them to be angry. It introduces power and self-worth, and it works far better than any medication." From there the person may move to "hopefulness and appreciation." It's vital, she writes, to "appreciate yourself." It's the stuff of good vibrations.